Gemini Man 2019 ein Filmtitel mit Genre Action, Drama, Science Fiction, Thriller, Neu Filme Blu Ray in High-Definition-Qualität. Kino Neu Film Gemini Man in High-Definition-Format. Film Netflix Neu Gemini Man in Top-Video-Format. Direk Film Izle Gemini Man in besten Blick Videoformat. Familie Film Netflix Gemini Man in bester Qualität.
Sie jetzt sehen können eine umfangreiche Beschreibung Gemini Man unten:
- Originaltitel : Gemini Man
- Filmtitel in Ihrem Land : Gemini Man
- Jahr der Film : 2019
- Genres des Films : Action, Drama, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2019-10-02
- Die Unternehmen der Film : Skydance Media, Jerry Bruckheimer Films, Alibaba Pictures Group, Fosun Group Forever Pictures,
- Länder Film : China, United States of America,
- Sprache des Films : English,
- Durasi Of film : 117 Min
- Stimme durchschnittlich : 6.4
- Youtube ID des Films : videokode
- Übersetzung von Film : translation
- Filmbesetzung :Daniel Salyers (Patterson's Son), Tim Connolly (Key Shack Agent), Fernanda Dorogi (Mother on Train), David Shae (Bicycle Messenger), E.J. Bonilla (Marino), Jordan Sherley (High School Girl), Will Smith (Henry Brogen / Junior), Theodora Miranne (Kitty (Jack's Girlfriend)), Linda Emond (Janet Lassiter), Igor Szász (Valery Dormov), Clive Owen (Clay Verris), Diego Adonye (Henry's Dad), Victor Hugo (Junior (On-Set Reference)), Douglas Hodge (Jack Willis), Alexandra Szucs (Aniko (Lab Technician)), Ilia Volok (Yuri Kovacs), Lilla Banak (Henry's Mom), Ralph Brown (Del Patterson), Mary Elizabeth Winstead (Danny Zakarweski), Alexa GyÖrgy (Young Girl on Train), Tony Scott (High School Principal), Jeff J.J. Authors (Man at Marina), Justin James Boykin (Connor (uncredited)), Benedict Wong (Baron)
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Gemini Man ist eine gute film von ausgeschieden Skydance Media, Jerry Bruckheimer Films, Alibaba Pictures Group, Fosun Group Forever Pictures, mit einem Beschreibung des Films "Henry Brogan ist ein Weltklasse-Attentäter, der sich in den Ruhestand begeben will. Da setzt sein ehemaliger Vorgesetzter Clay Verris plötzlich einen gefährlichen Assassinen auf ihn an, der sich als Henrys eigener, im Geheimen erzeugter und vor allem viel jüngerer Klon entpuppt. Es entbrennt ein ebenbürtiges Duell zwischen dem menschlichen Original und seiner Kopie, in dem beide immer den nächsten Schritt des jeweils anderen zu kennen scheinen. Brogan wird dabei von der Regierungsagentin Danny Zakarweski und seinem Kollegen Baron beim Überleben unterstützt, während sein Klon in eine Identitätskrise stürzt. Werden die Profi-Killer den tödlichen Teufelskreis durchbrechen können, den der undurchsichtige Verris in Gang gesetzt hat?". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und feinsten mit Schauspielern.
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3D Generalist : Babak Bina, Costumer : Michael Anzalone, ADR Recordist : Jiho Kim, Makeup Artist : Judit Farkas-Arful, Lighting Technician : John Paul Palmer, Animation Supervisor : Eric Petey, Software Engineer : Niall Lenihan, Set Dresser : Gregg Perez, Third Assistant Director : Hajós Péter, Casting : Avy Kaufman, Set Designer : Jane Wuu, Electrician : Adam Horne, Art Direction : Bence Erdelyi, Set Designer : Ron Mason, Colorist : Marcy Robinson, Rigging Grip : Beau Bellanich, Assistant Chief Lighting Technician : Jeff Wallace, Assistant Art Director : Hilary Noxon, Armorer : Péter Szántó, Lighting Technician : Jeff LaBaume, Assistant Art Director : Kristof Pataricza, Set Decorating Coordinator : Shaun Young, Color Assistant : Alan Louis Gordon, ADR Editor : Kenton Jakub, Electrician : Czinder Máté, Assistant Costume Designer : Allison Cirbus, Compositing Supervisor : Scott Chambers, Senior Animator : Vincent Caudeville, Rigging Gaffer : Antal Berger, 3D Artist : Marco De Rossi, Construction Coordinator : Thomas A. Morris Jr., Software Engineer : Martin A. Loga, Sound Mixer : Ed Novick, Visual Effects Producer : Julie Orosz, Visual Effects Production Manager : Colleen Murphy, First Assistant Director : Darrin Brown, Wardrobe Assistant : Leslie Bellamy, Graphic Designer : Luis Barvalopez, Animation : Elard Meneses, Set Decoration : Victor J. Zolfo, Costumer : Carolina Serna, Music Editor : E. Gedney Webb, Set Dressing Buyer : Mary Stacy, Producer : Dana Goldberg, Animation : Mark Stanger, Second Second Assistant Director : Luke Crawford, Lighting Technician : Louis Rendemonti, Modeling : Woohyuck Eric Lee, Costume Supervisor : Susan J. Wright, Supervising Sound Editor : Philip Stockton, Art Department Coordinator : Sara Ghaffar, Assistant Editor : Blake Gingerich, Principal Costumer : Júlia Kiss, Matchmove Supervisor : Bhanu Varma, Story : David Benioff, Costume Design : Cristina Spiridakis, CG Supervisor : Andrew Roberts, Visual Effects Supervisor : Darwin Go, Assistant Sound Editor : Joseph Winterbotham, Ager/Dyer : Mariah Fidalgo, Second Unit Director : Jorge Abril, Aerial Director of Photography : Hans Bjerno, Art Direction : Karl Probert, Screenplay : Billy Ray, Techno Crane Operator : Zoltán Schrammel, Costume Coordinator : Catherine Vidos, Production Consultant : Jarin Rossiter, Additional Hairstylist : Shaquanta Prescott, Lighting Technician : Joseph Mason, Sound Effects Editor : Allan Zaleski, Pre-Visualization Supervisor : Chris Williams, Matte Painter : Cory Bedwell, Assistant Art Director : Sandra Doyle Carmola, Visual Effects Editor : Kent Blocher, Electrician : Béla Rácz, Set Dresser : Kenneth Bryant, Electrician : László Bánszki, Assistant Director : Gábor Hegedüs Hege, Armorer : Virle S. Reid, Screenplay : David Benioff, Senior Animator : Anneka Fris, CG Supervisor : Alessandro Saponi, Matchmove Supervisor : Evan Fraser, Compositing Supervisor : Miles Lauridsen, Visual Effects Producer : Chris McClintock, Costumer : Lisa Gardner, Sound Effects Editor : Michael Gilbert, Rigging Gaffer : Edward J. Cox, Camera Operator : Daniele Massaccesi, Set Decorating Coordinator : Carolina Lee Chan, Script Supervisor : Dug Rotstein, ADR Mixer : Greg Crawford, Boom Operator : János Csáki Jr., Set Dresser : Diego Quecano, Best Boy Grip : János Kovács, Travel Coordinator : Nathalie Rodriguez Martinez, Visual Effects Coordinator : Kristen Drewski, Makeup Artist : Judy Murdock, Set Costumer : Sara Matonis, Visual Effects Supervisor : Bryan Hirota, Camera Operator : Michael Fuchs, Costume Assistant : Jenny Arango, Second Second Assistant Director : Christian Labarta, Gaffer : Jarred Waldron, First Assistant Director : Tamás Vass, Rigging Grip : Harrison Palmer, Second Second Assistant Director : Joe Landry, Art Direction : John Collins, Art Direction : Gergely Rieger, Marine Coordinator : Daniel F. Malone, Assistant Costume Designer : Cristina Spiridakis, Makeup Artist : Caroline Monge, Set Designer : Daniela Medeiros, Visual Effects Coordinator : Jane Simons, Aerial Camera Technician : Dane Bjerno, CG Supervisor : Stephen Tong, Visual Effects Supervisor : Bill Westenhofer, Assistant Art Director : Laura Victoria Alvarez Giordanelli, Additional Second Assistant Director : Stephen Turselli, Second Assistant Director : Karen Young, Executive Producer : Mike Stenson, 3D Generalist : Sebastian Knoll, Assistant Director : András Hárskúti, Casting : Zsolt Csutak, Foley Artist : Marko A. Costanzo, Digital Imaging Technician : Maninder K. Saini, Lighting Technician : T.Ryan Dodson, Producer : Don Murphy, Story : Darren Lemke, Visual Effects Supervisor : Guy Williams, ADR Mixer : David Boulton, Key Makeup Artist : LuAndra Whitehurst, Visual Effects : Joe Howes, VFX Editor : Tom McHattie, Set Designer : C. Scott Baker, Screenplay : Darren Lemke, Sound Re-Recording Mixer : Ron Bartlett, Foley Editor : Frank Kern, Unit Publicist : Michael Singer, Makeup Artist : Aisling Nairn, VFX Editor : Kaya Herman, Production Secretary : Viktor de Hegyessy, First Assistant Director : Vincent Giarratano, Additional Script Supervisor : Hajar Mainl, First Assistant Camera : Patrick McArdle, Art Direction : Diana Trujillo, Assistant Art Director : Borbála Debreczeni, Techno Crane Operator : Mark Epstein, First Assistant Editor : Andrew Leven, Modeling : Shamus Baker, Key Grip : Donald Reynolds Jr., Special Effects Supervisor : Devin Maggio, Foley Mixer : George A. Lara, ADR Recordist : Justine Baker, Producer : Don Granger, Digital Imaging Technician : Qais Karadsheh, Assistant Director : András Hornek, Production Secretary : Alan Searcy, Set Designer : Claudia Paipa Rodriguez, Visual Effects Production Manager : Katherine Soares, Set Decoration : Zsuzsanna Sipos, Special Effects Supervisor : Mark Hawker, Lighting Technician : Mark Carlile, Assistant Costume Designer : Moria Sine Clinton, Production Consultant : Frank Murray, First Assistant "A" Camera : Chad Rivetti, Supervising Sound Editor : Eugene Gearty, Third Assistant Director : Hajnalka Vajay, Pipeline Technical Director : Hamed Hematyar, Still Photographer : Ben Rothstein, Visual Effects Coordinator : Kelly Louise Evans, Lighting Technician : Jamie Baglio, 3D Generalist : Ondrej Ondracek, Camera Operator : Micky Froehlich, Production Secretary : Grant Prater, Construction Manager : Akos Menyhart, Assistant Director : Lõcsei Márton, Set Dresser : Jordan Foster, Production Design : Guy Hendrix Dyas, Visual Effects Supervisor : Mangesh Palkrit, Lighting Technician : Joshua D. Quick, Dolly Grip : Mike Moad, Property Master : Robin L. Miller, Art Direction : Lissette Schettini, Production Secretary : Julian OrdoÑez, Assistant Chief Lighting Technician : Damon Marcellino, Conceptual Design : Dean Sherriff, Special Effects Supervisor : Gábor Kiszelly, Visual Effects Producer : Matthew Dravitzki, Electrician : Jack McCollum, Visual Effects Coordinator : Melyssa Forget Turcotte, Script Supervisor : Gabriella Winkler, Second Assistant Director : Ana María Cabrera, Production Coordinator : Chris S. Bryant, Editor : Tim Squyres, Software Engineer : Jamie McCarter, Visual Effects Editor : Sharon Smith Holley, Executive Producer : Brian Bell, Construction Coordinator : Arturo Campos, Producer : Jerry Bruckheimer, Wardrobe Assistant : Demitria Lyles, Makeup Department Head : Luisa Abel, Assistant Sound Editor : Craig Kyllonen, Supervising Editor : Debajit Barman, Graphic Designer : Gordon Tanner, Video Assist Operator : Jorge Luis German, Visual Effects Supervisor : Sheldon Stopsack, Graphic Designer : Zsolt Ilia, Stunt Coordinator : Brad Martin, ADR Mixer : Mark DeSimone, First Assistant Director : Jeff J.J. Authors, Costumer : Giselle Guevara, Assistant Art Director : Cser Kinga, Visual Effects Producer : Lenka Likarova, Assistant Director : Ferenc Tóth, Key Grip : Mitchell Andrew Lillian, Set Dresser : Krisztián Kondora, Modeling : Damien Lam, Additional Second Assistant Director : George Lambert, Camera Production Assistant : Calum Clarkson, ADR Mixer : Dave Wilson, Costume Assistant : Juliana Osorio, 3D Generalist : Daniel Perez, First Assistant Director : Ben Lanning, Production Coordinator : Debbie Kim, Sound Re-Recording Mixer : Doug Hemphill, Second Assistant Director : Adam Bocknek, Visual Effects Producer : Karen M. Murphy, Animation Supervisor : Paul Story, Construction Manager : Balazs Kovacs, Compositing Supervisor : Ben Warner, Original Music Composer : Lorne Balfe, Art Department Coordinator : Veronika Szücs, Director of Photography : Dion Beebe, Set Costumer : Kara Talley, Title Designer : Yuanchen Jiang, Assistant Sound Editor : Samuel Miille, Set Decorating Coordinator : Zsolt Várhelyi, Visual Effects Supervisor : Viktor Muller, Set Dresser : Robert Davis, 3D Artist : Vendula Gresova, Best Boy Grip : Shannon Summers, Visual Effects Coordinator : Erin Hewitt, Visual Effects Coordinator : Dóra Sárközi, ADR Mixer : Michael Miller, Supervising Art Director : Tom Reta, Visual Effects Coordinator : Samira Khan, Hairstylist : Pierce Austin, Principal Costumer : Dóra Papp, Producer : David Ellison, Visual Effects Production Manager : Balaji Sreedharan, Key Hair Stylist : Miia Kovero, Underwater Director of Photography : Pete Romano, Hairstylist : Javier Johan Romero, Matte Painter : Gábor Szügyi, Costume Design : Suttirat Anne Larlarb, Executive Producer : Chad Oman, Pipeline Technical Director : David Zeng, Visual Effects Coordinator : Malinda McGuire, Hairstylist : Brendon Heath, Director : Ang Lee, Armorer : Howard Fannon, Art Direction : Robert Cowper, Graphic Designer : Andrew Rogers, Makeup Department Head : Todd Kleitsch, Modelling Supervisor : Marco Revelant, Hair Department Head : Kelvin R. Trahan, Costume Supervisor : Pashelle L. Latino, Visual Effects Production Assistant : Fidel Baldovino, Tailor : Bethany Itterly, Boom Operator : Mark Goodermote, Set Decoration Buyer : Szilvia Szisza Toth, Matte Painter : Einar Martinsen, Visual Effects Production Manager : Jennifer Ramos, Travel Coordinator : Russell Bartlett
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Schlagwörter: clone, hitman,