Apollo 13 1995 ein Filmtitel mit Genre Drama, Historie, Direk Film Izle in besten Blick Videoformat. Deutscher Film Netflix Apollo 13 in bester Qualität. Deutscher Film Neu Im Kino Apollo 13 in HD-Format. En Komedi Film Izle Apollo 13 in Top-Qualität. Film abspielen Apollo 13 in High-Definition-Format.
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- Originaltitel : Apollo 13
- Filmtitel in Ihrem Land : Apollo 13
- Jahr der Film : 1995
- Genres des Films : Drama, Historie,
- Status-Film : Released
- Veröffentlichungsdatum : 1995-06-30
- Die Unternehmen der Film : Imagine Entertainment, Universal Pictures, TF1 International,
- Länder Film : United States of America,
- Sprache des Films : English,
- Durasi Of film : 140 Min
- Stimme durchschnittlich : 7.4
- Youtube ID des Films : videokode
- Übersetzung von Film : translation
- Schauspieler des Films :Geoffrey Blake (GUIDO Gold), Ivan Allen (Anchor), Chris Ellis (Deke Slayton), Kathleen Quinlan (Marilyn Lovell), Matthew Michael Goodall (Stephen Haise), Ray McKinnon (Jerry Bostick - FIDO White), Brian Markinson (Pad Rat), Paul Mantee (Reporter), Joe Spano (NASA Director), Wayne Duvall (LEM Controller White), Rance Howard (Reverend), Emily Ann Lloyd (Susan Lovell), Reed Rudy (Roger Chaffee), Christopher John Fields (Booster White), Joseph Culp (TELMU Gold), Thom Barry (Orderly), Jeffrey Kluger (Science Reporter), Loren Dean (John Aaron - EECOM Arthur), Bill Paxton (Fred Haise), Kenneth White (Grumman Rep), John Wheeler (Reporter), Mark D. Newman (Loud Reporter), Googy Gress (RETRO White), Walter von Huene (Technician), Louisa Marie (Whiz Kid Mom), Brett Cullen (CAPCOM 1), Tom Wood (EECOM Gold), John Short (INCO White), Michele Little (Jane Conrad), Herbert Jefferson Jr. (Reporter), Steve Rankin (Pad Rat), Kevin Bacon (Jack Swigert), Endre Hules (Guenter Wendt), Marc McClure (Glynn Lunney), Tom Hanks (Jim Lovell), Arthur Senzy (SIM Tech), Jim Meskimen (TELMU White), Andrew Lipschultz (Launch Director), Patty Raya (Patty), David Andrews (Pete Conrad), Jane Jenkins (Neighbor), Taylor Goodall (Fred Haise Jr.), Neil Armstrong (Himself (archive footage)), Misty Dickinson (Margaret Haise), Andy Milder (GUIDO White), Steve Ruge (Edward White), Max Grodénchik (FIDO Gold), John M. Mathews (Reporter), Christian Clemenson (Dr. Chuck), Bruce Wright (Anchor), Todd Hallowell (Noisy Civilian), Steve Bernie (Virgil Grissom), Miko Hughes (Jeffrey Lovell), Tracy Reiner (Mary Haise), Ryan Holihan (SIM Tech), Max Elliott Slade (Jay Lovell), John Dullaghan (Reporter), Jack Conley (Science Reporter), Gabriel Jarret (GNC White), Julie Rowen (Reporter), Xander Berkeley (Henry Hurt), Lee Anne Matusek (Loud Reporter), Thomas Crawford (Reporter), Patrick Mickler (RETRO Gold), Karen Martin (Tracey), Clint Howard (Sy Liebergot - EECOM White), Frank Cavestani (Reporter), Carl Gabriel Yorke (SIM Tech), Meadow Williams (Kim), James Ritz (Ted), Ned Vaughn (CAPCOM 2), Jim Lovell (Captain of USS Iwo Jima), Ben Bode (INCO Gold), Austin O'Brien (Whiz Kid), Mark McKeel (Suit Room Assistant), Ben Marley (John Young), Jules Bergman (Himself - ABC News (archive footage)), Maureen Hanley (Woman), Ed Harris (Gene Kranz), Jon Bruno (Anchor), Todd Louiso (FAO White), Gary Sinise (Ken Mattingly), Jean Speegle Howard (Blanch Lovell), Pope Paul VI (Himself (archive footage)), Mark Wheeler (Neil Armstrong), Roger Corman (Congressman), Mary Kate Schellhardt (Barbara Lovell)
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Apollo 13 der größte film produziert von Imagine Entertainment, Universal Pictures, TF1 International, folgende ein Beschreibung des Films "Weniger als ein Jahr ist vergangen, seitdem der Mensch zum ersten Mal den Mond betreten hat. Und was die amerikanische Bevölkerung angeht, so stellt die Apollo-13-Mission lediglich einen erneuten Routineflug dar – bis die Bodenkontrollstation folgende Worte aus der unendlichen Weite des Alls empfängt: „Houston, wir haben ein Problem“. 205.000 Meilen von der Erde entfernt kämpfen die Astronauten Jim Lovell, Fred Haise und Jack Swigert in einer funktionsuntüchtigen Raumkapsel verzweifelt um ihr Leben. Unterdessen nehmen in der Bodenkontrollstation der Astronaut Ken Mattingly und Flugkommandant Gene Kranz das Rennen gegen die Zeit auf, um die Astronauten zurück zur Erde zu bringen.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und feinsten mit Schauspielern.
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Production Controller : Kathleen McGill, Director : Ron Howard, Modeling : Felix Ojeda, Second Second Assistant Director : William M. Connor, Set Dressing Artist : Larry A. Cornick, Electrician : Ben O. Graham, Stunts : Kim Robert Koscki, Production Supervisor : Michelle Morrissey, Unit Production Manager : Carl Clifford, Set Costumer : Bob Moore Jr., Digital Compositor : Jerry Hall, ADR Recordist : Ann Hadsell, Special Effects Supervisor : John Palmer, Technical Advisor : Dave Scott, Systems Administrators & Support : Shoshana Abrass, Makeup Artist : Hallie D'Amore, First Assistant Director : Aldric La'Auli Porter, Modeling : George Stevens, Sound Effects Editor : Warren Hamilton Jr., Set Production Assistant : Stephanie Axe, VFX Director of Photography : Erik Nash, Production Coordinator : Wendi Haas, First Assistant "B" Camera : Larry D. Davis, Greensman : Jason Vanover, Production Assistant : Kirk Douglas, Storyboard Artist : Eric Ramsey, Costumer : Danna Edwards, Art Direction : Bruce Alan Miller, Producer : Brian Grazer, Special Effects Assistant : Rocky Severy, Assistant Dialogue Editor : Lynn Sable, Assistant Dialogue Editor : Yvette Nabel, Driver : James E. Vargas, Assistant Camera : David S. Campbell, Novel : Jeffrey Kluger, Sound Mixer : John Sutton, Production Assistant : Susan Jamison, Special Effects Assistant : R. Michael Bisetti, Construction Coordinator : David T. Cannon, Associate Producer : Aldric La'Auli Porter, Technical Advisor : Max L. Ary, Assistant Chief Lighting Technician : Steve Chandler, Camera Loader : John Hynes, Camera Operator : Josh Bleibtreu, Production Assistant : Michael McDevitt, Visual Effects Producer : Jenny Fulle, Special Effects Assistant : Manuel S. Epstein, Chief Lighting Technician : Joseph J. Orefice, Digital Effects Producer : Mark Lohff, Driver : Bud Lacy, First Assistant Camera : Scott Fuller, First Assistant Camera : Scott Smith, Sound Effects Editor : Elliott Koretz, Grip : Michael D. Hightower, Foley Mixer : David Jobe, Special Effects Assistant : Fred Tessaro, Technical Advisor : Gerry Griffin, Dialogue Editor : Louis Cerborino, Utility Sound : Kevin E. Patterson, Camera Loader : Trevor Loomis, Camera Technician : Scott Johnson, Leadman : Wayne Shepherd, Novel : Jim Lovell, Modeling : Bradford Plows, Production Assistant : Alfred Cervantes, Special Effects Assistant : James M. Hart, Orchestrator : James Horner, Color Timer : William Pine, Chief Lighting Technician : Andy Ryan, Set Dresser : Richard M. Jones, Assistant Accountant : Susan Giordano, Pilot : Robert 'Bobby Z' Zajonc, Digital Compositor : Laurie Resnick, Property Master : Steven M. Levine, Boom Operator : Steve Bowerman, Key Grip : Steven Cardarelli, Camera Operator : Casey Hotchkiss, Special Effects Assistant : Paul Sabourin, Foley Editor : Matthew C. Beville, Stunts : Heather Burton, Special Effects Assistant : Gary Zink, Set Production Assistant : Laurel Robinson, Dolly Grip : Dave Wachtman, Digital Compositor : Ethan Ormsby, Orchestrator : Steven Bramson, Grip : Troy Webb, Modeling : Sabine Meyer zu Recendorf, General Manager : Scott Ross, Set Designer : Joseph Hodges, Boom Operator : Bill J. DiDonna, Grip : Steve Graves, Sound Re-Recording Mixer : Steve Pederson, Additional Second Assistant Camera : Chip Byrd, Driver : Gavin Grazer, Set Dresser : Greg Wilkinson, Driver : Dan Brizendine, Special Effects Assistant : Steve Luport, Hairstylist : Carolyn Elias, Thanks : Walter Cronkite, Technical Advisor : Jeffrey Kluger, Production Assistant : Dennis Clay, Modelling Supervisor : Patrick McClung, Special Effects Assistant : Bruce Y. Kuroyama, Executive Music Producer : Brian Grazer, Production Assistant : Michael Barson, Sound Effects Editor : Richard L. Anderson, Supervising ADR Editor : Lisa J. Levine, Steadicam Operator : Glenn DiVincenzo, Sound Re-Recording Mixer : Bob Chefalas, Special Effects Assistant : Larry L. Fuentes, Transportation Coordinator : Joel Marrow, ADR Editor : Stuart Stanley, Pilot : Alan D. Purwin, Music Editor : Thomas S. Drescher, Boom Operator : Craig Woods, Assistant Chief Lighting Technician : Jim Fine, Special Effects Assistant : Michael Wilmot, Executive Producer : Todd Hallowell, Modeling : Gerald McClung, Makeup Artist : Michael Lorenz, Costumer : Elaine Ramires, Visual Effects Design Consultant : James Cameron, Electrician : Keith Orefice, Hairstylist : Hazel Catmull, Assistant Editor : Guy Barresi, Set Dresser : John Maskovich, Dialogue Editor : Dan Sable, Associate Producer : Louisa Velis, Rigging Grip : Randy Troyanek, ADR Mixer : Paul J. Zydel, Best Boy Grip : Brian Marincic, Editor : Mike Hill, Second Unit Director : Todd Hallowell, Publicist : Andrew Lipschultz, Sound Assistant : Dana Gustafson, Rigging Grip : Gary Brostrom, Set Production Assistant : Jonathan McGarry, Video Assist Operator : Roger C. Johnson, Supervising Sound Editor : Stephen Hunter Flick, Stunts : Joe Finnegan, Production Design : Michael Corenblith, Special Effects Assistant : William Centonze, Production Assistant : Misty Conn, Costume Design : Rita Ryack, Special Effects Assistant : Lucinda Strub, ADR Voice Casting : Lynne Redding, Driver : Johnny Bartlet, First Assistant Camera : Clyde E. Bryan, Greensman : William Matzner, Technical Advisor : Jim Lovell, Greensman : Anthony Vitagliano, Propmaker : Matthew Martin, Second Assistant Camera : Stephen Sfetku, Director of Photography : Dean Cundey, Second Unit Director of Photography : Raymond Stella, Production Assistant : Chris Clifton, Foley Editor : Frank Smathers, Production Coordinator : Brooke Rand McDonald, Assistant Editor : Tim Silano, First Assistant Accountant : Kathryn Mindala, Assistant Property Master : Bobby Amor, Assistant Location Manager : Andrew L. Ullman, Sound Re-Recording Mixer : Rick Dior, Best Boy Electric : Glenn E. Moran, Grip : Jimmy Giacona, Screenplay : William Broyles Jr., First Assistant Director : Bruce Moriarty, Art Direction : David J. Bomba, Production Coordinator : Kelly L'Estrange, Assistant Camera : Michole Bergstrom, Set Production Assistant : Colin Hanks, Supervising Dialogue Editor : Anthony J. Ciccolini III, Best Boy Electric : Rick Petretti, Casting : Janet Hirshenson, Hairstylist : Audrey L. Anzures, Playback Singer : Annie Lennox, Production Coordinator : Virginia Dнaz, Electrician : Dennis Hus, Actor's Assistant : Terry Odem, Digital Effects Supervisor : Karen E. Goulekas, Modeling : John Ferrari, Sound Re-Recording Mixer : Ezra Dweck, Special Effects Coordinator : Matt Sweeney, Associate Producer : Michael Bostick, Project Manager : Stephen Sobisky, Set Medic : David O. Krupnick, Sound Recordist : Bob Olari, Dialogue Editor : Thomas A. Gulino, Second Assistant Director : Susan Pickett, Digital Compositor : Jammie Friday, Visual Effects Assistant Editor : Tommy Dorsett, Electrician : Atillio Orefice, ADR Editor : Harry Peck Bolles, Modeling : Michael Possert Jr., Production Assistant : Jimmy Lindsey, Set Dresser : Scott G. Jones, Assistant Production Coordinator : Lila Yacoub, Negative Cutter : Gary Burritt, Costume Supervisor : Dan Bronson, Set Production Assistant : Dylan K. Massin, Digital Compositors : Feliciano di Giorgio, Sound Assistant : Linda Yeaney, Second Assistant Camera : Jolanda R. Wipfli, Still Photographer : Ron Batzdorff, Modeling : Brian Ripley, Pilot : Michael Tamburro, ADR Mixer : Dean Drabin, Assistant Accountant : Keri Weisblum, Set Painter : Felisa Finn, Special Effects Assistant : Jeffrey Machit, Driver : Paulie DiCocco, Camera Operator : David Norris, Assistant Editor : Richard Friedlander, Executive Music Producer : Ron Howard, Original Music Composer : James Horner, Stunts : Vincent Mazella Jr., Grip : Kevin Edwards, Special Effects Assistant : Tony Centonze, Scoring Mixer : Shawn Murphy, Driver : William Esparza, Location Assistant : Anthony J. Saenz, Grip : Bryan Ashford, Technical Advisor : Jerry Bostick, Digital Effects Producer : Amy Jupiter, Craft Service : Beverly Burton, Screenplay : Al Reinert, Storyboard : Ricardo F. Delgado, Rigging Gaffer : Mark Soucie, Casting Associate : Susanna Griffith, Transportation Captain : Randy Cantor, Assistant Chief Lighting Technician : O'Shana Walker, Stunt Coordinator : Mickey Gilbert, Special Sound Effects : Steve Lee, Sound Effects Editor : Patricio A. Libenson, Special Sound Effects : Donald Flick, Location Manager : Ned R. Shapiro, Costumer : Joe McCloskey, Special Effects Assistant : Rich E. Cordobes, Assistant Costume Designer : Marjorie McCown, Special Effects Assistant : Harold Selig, Visual Effects Coordinator : Chad Merriam, Production Assistant : Jeffray C. Eagle, Special Sound Effects : John Pospisil, Dialogue Editor : Bitty O'Sullivan-Smith, Chief Lighting Technician : Michael Orefice, Construction Foreman : David A. Weinman, Stunts : John Robotham, Supervising Music Editor : Jim Henrikson, Sound Effects Editor : Eric Lindemann, Foley Recordist : Don Givens, Modeling : Greg Bryant, Special Effects Assistant : Kent D'Huet, Digital Effects Supervisor : Mark A. Lasoff, Electrician : Peter Eisner, Script Supervisor : Eva Z. Cabrera, Actor's Assistant : Erik Bork, Stunt Coordinator : James M. Halty, Key Makeup Artist : Daniel C. Striepeke, Driver : Rodney Lee Bennett, Driver : Joseph Sullivan, Additional First Assistant Camera : J. Steven Latham, Digital Compositor : Pablo Helman, Systems Administrators & Support : Matt Coohill, Production Assistant : K. Marshall Smith, Unit Publicist : Andrew Lipschultz, Special Effects Assistant : Donald Krause, Editor : Daniel P. Hanley, Grip : Eugene Siegmund, Art Department Coordinator : Angela O'Neill, Hairstylist : Joy Zapata, Production Assistant : Lars Sloan, Sound Effects Editor : Dean Beville, Sound Mixer : David MacMillan, Gaffer : Tony Anderson, Production Controller : Kieran Woo, First Assistant Camera : Christopher Duskin, Modeling : Eugene P. Rizzardi, Set Designer : Lori Rowbotham, Assistant Accountant : Hope Shaw, Set Costumer : Mary Elizabeth Still, Grip : Luke Halpin, Electrician : Darren Langer, Grip : Marty Dobkousky, Studio Teachers : Elise Ganz, Seamstress : Carmen Mazarow, Assistant Accountant : Rosario Aguirre, Assistant Property Master : James Robinson II, Digital Compositor : Martine Tomczyk, Visual Effects Editor : Debra Wolff, Set Decoration : Merideth Boswell, Visual Effects Supervisor : Robert Legato, Digital Compositor : Bryan Grill, Key Grip : Jeff 'Moose' Howery, Production Coordinator : Lisa J. Watters, Set Production Assistant : Matt Rebenkoff, Electrician : Gary Ware, Modeling : Gordon Forkert, Painter : Dan Dorfer, Camera Operator : Raymond Stella, Sound Mixer : Geoffrey Patterson, First Assistant Editor : Roger Tweten, Extras Casting : Ajay Dass, Makeup Artist : Larry Abbott, Machinist : John Lisman, Second Assistant Director : Jane Paul, Costumer : Leslie Weir, Visual Effects : Shoshana Abrass, Set Dresser : Edward J. McCarthy, Casting : Jane Jenkins, Set Production Assistant : Eddee Kolos, Production Assistant : Paul Swen, ADR Recordist : Douglas Murray, Key Hair Stylist : Kathryn Blondell, Grip : Ron Peebles, Script Supervisor : Janna Stern, Location Assistant : Matthew Pook, Set Dresser : Chris Pascuzzo, Sound Re-Recording Mixer : Scott Millan, Visual Effects Assistant Editor : Josh Margolies, Art Department Assistant : Joshua A. Sipe, Special Effects Assistant : Jan Aaris, Assistant Chief Lighting Technician : Keith Roverud, Assistant Editor : Carolyn Calvert, Key Grip : Ron Cardarelli, Digital Effects Supervisor : John McLaughlin, Assistant Editor : Glenn Allen
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